Logic pro x mastering tutorial free download
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Logic pro x mastering tutorial free download
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Fill and submit the form. Unlock a bundle of free resources to help you create and release your music. Mastering in Logic Pro X is absolutely possible, even with just stock plugins! Many get lost though. Perhaps you can relate! Table of Contents 1.
How To Prepare Your Mix es 2. Calibrate Your Mastering Level 3. Gain Stage Your Reference Track s 4. Set The Ceiling 5. Find Loudness 6. Problem Solving 7.
How To Prepare Your Mix es There are many articles and cheat sheets out there that tell you things in absolutes like needing 6 dB of headroom and such. Follow along in this video as I take a short vocal phrase, convert it to a quick sample instrument, create some vocal chop phrases, and add processing. Logic has hundreds, if not thousands, of key commands designed to make using Logic easier and more efficient.
Here, I'd like to share five originally unassigned key commands that I have assigned, improving my workflow immensely. Follow along in this video to see how Eli Krantzberg sets up a guitar solo with a unique set of rolling repeats that swells and ebbs with the rhythm of the song. See how to use parallel processing that includes side chain compression, EQ, chorus, direction mixer, and tremolo, to create interesting movement and width to a stacked keyboard part.
Steve DeMott recently did an article on 2-Buss compression recently. In this video Eli takes some of his ideas and develop them using Logic's powerful and flexible built-in compressor plug-in. There is a lot more to this plug-in than initially meets the eye, especially when it comes to "glue" style bus processing.
Apple has us covered in those moments when inspiration hits. Capturing audio on the fly is a snap with Voice memos, as is bringing it into Logic using either AirDrop or iCloud. If you would like a general guideline, around 14 dB of difference between peak and RMS in the loudest moments in the mix is a good place to start.
Measuring EQ, dynamics, and loudness are not things you can rely solely on meters for. However, they can and will work as a supplement to your hearing, but nothing more than that. Now that you have set up your monitoring level , you may also choose to use a reference track in the mastering session.
Do this by ear and make adjustments along the way so that comparisons are always fair. Remember, a slight difference in loudness also equates to a difference in how we perceive dynamics and frequency balance EQ. This means that if necessary, we can make it louder without clipping. This is the true purpose of a peak limiter. Load it as the final plugin in your chain and set the ceiling to This where we start to work backwards, at least as far as the order of plugins in your chain is concerned.
Before, I mentioned how playback volume has a huge bearing on how we perceive frequency balance and dynamics. This is where we work to minimise that variable. Making sure your mix sound is ready for mastering should be the first thing you do before you sit down and do your mastering magic. Contrary to a mastered track, mixing engineers can listen to individual tracks and adjust each one of them independently.
This major difference gives them more control, but also a bigger responsibility in delivering audio that sounds perfect across all audio frequencies.
Look for Audio Imperfections Listen to the entire track. Do you hear clippings, distortions, or any other audio-related issues?
These issues can be fixed only during the mixing phase, so if you find problems in the track, you should go back to the mix or send it back to the mixing engineer. Audio Peaks. When you receive a mixdown from the recording studio or mixing engineer, the first thing to do is to check the audio peaks to ensure you have enough headroom to add your chain of effects.
Audio peaks are the moments of the song when it is the loudest. This is the industry standard within the audio community and gives you plenty of space to enhance and improve audio. This extraordinary evolution in audio production led to some significant changes in the audio normalization for TV and movies and music. Given the importance of these two music platforms, you should do the best you can to avoid this situation. If you master it louder than LUFS when you upload your music on streaming services like Spotify or YouTube, these platforms will automatically lower the volume of your track, making it sound different from the final result of your master.
Reference Track. For instance, if the guitar part in the reference tracks was recorded five times but only once in your track, then achieving a similar sound will be impossible. EQ When equalizing, you mitigate or remove certain frequencies that may affect the overall balance of your audio. At the same time, you enhance the frequencies you want in the spotlight to ensure the final result sounds clean and professional. The channel EQ is the standard linear eq on Logic Pro and does wonder.
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